Saturday, November 13, 2010
Monday, October 18, 2010
OK,
no preabmble, no preperation and no first draft. I am about to write out what I am thinking now, a few days after the camp in a conf. Then I will press 'publish post' and go do some shelving.
The library camp was the most fun I have had in a conference, and I think it was very productive too. We were not completely full (unlike some rooms on day 1) but we had a good core of participants and a significant number of other folk who were dropping in when there was nothing in the other streams which called to them. In fact, a drop in space for those who found a gap in their personal program was a big part of our original plan.
Did I mention I had fun? I like to think that some other folk did too, there certainly seemed to be a buzz in the room almost all the time. I think that the participatory nature of a lot of what we decided to do helped with that. There was, most of the time, an opportunity to interrupt, interject and ask for clarification or re-direction. It was great having a lot of people willing to speak. Sure there were plenty sitting quietly, perhaps because that was what they wanted to do, perhaps because there were a few big personalities in the room (well, big for librarians anyway).
Still, the way things went, I believe that some of the less vocal audience members had the opportunity to speak. Certainly I tried during the sessions I facilitated to get everyone involved (even if it was just my obsession with getting people to divide themselves up into statistical groupings - who had a library job pre-graduation, pre-enrolment, not until after cap and gown...)
There was always the opportunity for the breakout groups to come back to the whole camp and give a summary of their conversations. We also had a scanner set up to scan any notes they took, however that didn't happen (no one volunteered their notes) so I do feel like we lost a lot of what was done. I know it lives on in the brains of those who were there and some of them may well use the ideas generated for; succession planning, library training, environmental advocacy and other stuff which I will remember 30 seconds after I publish this post (but I am not coming back to edit it).
Anyway, I hope some of the campers decide to turn their notes into blog posts or even a series of tweets as I would like to read more of what others got out of the time (and also what happened in the breakouts I couldn't attend due to my inability to perfect my cloning machine).
The day the way ran was fantastic, live updates on the program wiki as we adapted and changed the program when topics came up (or died). The stream committee were a wonderfully fluid crew (and it was an absolute pleasure to work with them). We ducked, we weaved and we proved what we had been saying all along "it will work perfectly on the day". That said, for all that Snail and I are duck and weave on the day kinds of people, the whole planning and lead up work was held together admirably by Kate Davis, while Elizabeth Caplice and Michelle DuBroy proved a wonderful support crew. Adapting themselves to everything from chasing speakers and writing bios to taking photos, leading discussions and playing bouncer on the door.
I won't mention any of the wonderful people who did lightning talks for us, nor those who sat on our pannel (their names are available on the conference program). I will also neglect to mention the names of the people who stood up and joined in to facilitate conversations, move furniture, direct traffic. I won't mention anyone by name because I wouldn't want to single out those I know when there were more than a few people whose names I didn't catch who were a big part of a successful day. Plus, I wouldn't want to forget someone's name.
I think, I need to read someone else's view on how #aliaaccess #camp went, because as I sit here trying to write about it, I realise I was too far into the rabbit hole. Perhaps I need to think a while then try to write this again.
Still, in the meantime I will put this out for your reading pleasure (and with luck, some feedback of what Snail and I could do better next time. Because a mere day after the camp, we found ourselves both using the words 'next time' when talking about how we could have done things better).
no preabmble, no preperation and no first draft. I am about to write out what I am thinking now, a few days after the camp in a conf. Then I will press 'publish post' and go do some shelving.
The library camp was the most fun I have had in a conference, and I think it was very productive too. We were not completely full (unlike some rooms on day 1) but we had a good core of participants and a significant number of other folk who were dropping in when there was nothing in the other streams which called to them. In fact, a drop in space for those who found a gap in their personal program was a big part of our original plan.
Did I mention I had fun? I like to think that some other folk did too, there certainly seemed to be a buzz in the room almost all the time. I think that the participatory nature of a lot of what we decided to do helped with that. There was, most of the time, an opportunity to interrupt, interject and ask for clarification or re-direction. It was great having a lot of people willing to speak. Sure there were plenty sitting quietly, perhaps because that was what they wanted to do, perhaps because there were a few big personalities in the room (well, big for librarians anyway).
Still, the way things went, I believe that some of the less vocal audience members had the opportunity to speak. Certainly I tried during the sessions I facilitated to get everyone involved (even if it was just my obsession with getting people to divide themselves up into statistical groupings - who had a library job pre-graduation, pre-enrolment, not until after cap and gown...)
There was always the opportunity for the breakout groups to come back to the whole camp and give a summary of their conversations. We also had a scanner set up to scan any notes they took, however that didn't happen (no one volunteered their notes) so I do feel like we lost a lot of what was done. I know it lives on in the brains of those who were there and some of them may well use the ideas generated for; succession planning, library training, environmental advocacy and other stuff which I will remember 30 seconds after I publish this post (but I am not coming back to edit it).
Anyway, I hope some of the campers decide to turn their notes into blog posts or even a series of tweets as I would like to read more of what others got out of the time (and also what happened in the breakouts I couldn't attend due to my inability to perfect my cloning machine).
The day the way ran was fantastic, live updates on the program wiki as we adapted and changed the program when topics came up (or died). The stream committee were a wonderfully fluid crew (and it was an absolute pleasure to work with them). We ducked, we weaved and we proved what we had been saying all along "it will work perfectly on the day". That said, for all that Snail and I are duck and weave on the day kinds of people, the whole planning and lead up work was held together admirably by Kate Davis, while Elizabeth Caplice and Michelle DuBroy proved a wonderful support crew. Adapting themselves to everything from chasing speakers and writing bios to taking photos, leading discussions and playing bouncer on the door.
I won't mention any of the wonderful people who did lightning talks for us, nor those who sat on our pannel (their names are available on the conference program). I will also neglect to mention the names of the people who stood up and joined in to facilitate conversations, move furniture, direct traffic. I won't mention anyone by name because I wouldn't want to single out those I know when there were more than a few people whose names I didn't catch who were a big part of a successful day. Plus, I wouldn't want to forget someone's name.
I think, I need to read someone else's view on how #aliaaccess #camp went, because as I sit here trying to write about it, I realise I was too far into the rabbit hole. Perhaps I need to think a while then try to write this again.
Still, in the meantime I will put this out for your reading pleasure (and with luck, some feedback of what Snail and I could do better next time. Because a mere day after the camp, we found ourselves both using the words 'next time' when talking about how we could have done things better).
Wednesday, September 15, 2010
Saturday, September 4, 2010
Culture of Bangladesh
Reflecting the long history of the region, Bangladesh has a culture that encompasses elements both old and new. The Bengali language boasts a rich literary heritage, which Bangladesh shares with the Indian state of West Bengal. The earliest literary text in Bengali is the 8th century Charyapada. Medieval Bengali literature was often either religious (e.g. Chandidas), or adapted from other languages (e.g. Alaol). Bengali literature reached its full expression in the nineteenth century, with its greatest icons being poets Rabindranath Tagore and Kazi Nazrul Islam. Bangladesh also has a long tradition in folk literature, for example Maimansingha Gitika, Thakurmar Jhuli and stories related to Gopal Bhar.
The musical tradition of Bangladesh is lyrics-based (Baniprodhan), with minimal instrumental accompaniment. The Baul tradition is a distinctive element of Bengali folk music. Numerous other musical traditions exist including Gombhira, Bhatiali and Bhawaiya, varying from one region to the next. Folk music is often accompanied by the ektara, an instrument with only one string. Other instruments include the dotara, dhol, flute and tabla. Bangladesh also has an active heritage in North Indian classical music. Similarly, Bangladeshi dance forms draw from folk traditions, especially those of the tribal groups, as well as the broader Indian dance tradition.[80]
Bangladesh produces about 80 films a year.[81] Mainstream Hindi films are also quite popular.[82] Around 200 daily newspapers are published in Bangladesh, along with more than 1800 periodicals. However, regular readership is low at just under 15% of the population.[83] Bangladeshis listen to a variety of local and national radio programs like Bangladesh Betar. Four private FM radio stations named (Radio Foorti, ABC Radio, Radio Today, Radio Amar) are among urban youths. International Bengali language broadcasts include BBC Bangla and Voice of America. The dominant television channel is the state-owned Bangladesh Television, but in the last few years, privately owned channels have developed considerably.
The culinary tradition of Bangladesh has close relations to Indian and Middle Eastern cuisine as well as having its own unique traits. Rice, and curry are traditional favorites. Bangladeshis make distinctive sweetmeats from milk products, some common ones being Rôshogolla, chômchôm and kalojam.
The sari (shaŗi) is by far the most widely worn dress by Bangladeshi women. A guild of weavers in Dhaka is renowned for producing saris from exquisite Jamdani muslin. The salwar kameez (shaloar kamiz) is also quite popular, and in urban areas some women wear western attire. Among men, western attire is more widely adopted. Men also wear the kurta-paejama combination, often on religious occasions, and the lungi, a kind of long skirt.
Eid ul-Fitr and Eid ul-Adha, being the most important holidays in the Islamic calendar, are the subject of major festivals. The day before Eid ul-Fitr is called Chãd Rat (the night of the moon) and is often celebrated with firecrackers. Major Hindu festivals are Durga Puja, Kali Puja and Saraswati Puja. Buddha Purnima, which marks the birth of Gautama Buddha, and Christmas, called Bôŗodin (Great day), are both national holidays. The most important secular festival is Pohela Baishakh or Bengali New Year, the beginning of the Bengali calendar. Other festivities include Nobanno, Poush parbon (festival of Poush) and observance of national days like Shohid Dibosh and Victory Day.
The musical tradition of Bangladesh is lyrics-based (Baniprodhan), with minimal instrumental accompaniment. The Baul tradition is a distinctive element of Bengali folk music. Numerous other musical traditions exist including Gombhira, Bhatiali and Bhawaiya, varying from one region to the next. Folk music is often accompanied by the ektara, an instrument with only one string. Other instruments include the dotara, dhol, flute and tabla. Bangladesh also has an active heritage in North Indian classical music. Similarly, Bangladeshi dance forms draw from folk traditions, especially those of the tribal groups, as well as the broader Indian dance tradition.[80]
Bangladesh produces about 80 films a year.[81] Mainstream Hindi films are also quite popular.[82] Around 200 daily newspapers are published in Bangladesh, along with more than 1800 periodicals. However, regular readership is low at just under 15% of the population.[83] Bangladeshis listen to a variety of local and national radio programs like Bangladesh Betar. Four private FM radio stations named (Radio Foorti, ABC Radio, Radio Today, Radio Amar) are among urban youths. International Bengali language broadcasts include BBC Bangla and Voice of America. The dominant television channel is the state-owned Bangladesh Television, but in the last few years, privately owned channels have developed considerably.
The culinary tradition of Bangladesh has close relations to Indian and Middle Eastern cuisine as well as having its own unique traits. Rice, and curry are traditional favorites. Bangladeshis make distinctive sweetmeats from milk products, some common ones being Rôshogolla, chômchôm and kalojam.
The sari (shaŗi) is by far the most widely worn dress by Bangladeshi women. A guild of weavers in Dhaka is renowned for producing saris from exquisite Jamdani muslin. The salwar kameez (shaloar kamiz) is also quite popular, and in urban areas some women wear western attire. Among men, western attire is more widely adopted. Men also wear the kurta-paejama combination, often on religious occasions, and the lungi, a kind of long skirt.
Eid ul-Fitr and Eid ul-Adha, being the most important holidays in the Islamic calendar, are the subject of major festivals. The day before Eid ul-Fitr is called Chãd Rat (the night of the moon) and is often celebrated with firecrackers. Major Hindu festivals are Durga Puja, Kali Puja and Saraswati Puja. Buddha Purnima, which marks the birth of Gautama Buddha, and Christmas, called Bôŗodin (Great day), are both national holidays. The most important secular festival is Pohela Baishakh or Bengali New Year, the beginning of the Bengali calendar. Other festivities include Nobanno, Poush parbon (festival of Poush) and observance of national days like Shohid Dibosh and Victory Day.
Saturday, August 28, 2010
about bangladesh
Bangladesh has made significant strides in its economic sector since its independence in 1971. Bangladesh has become a pioneer in the international garments industry as she is a major exporter of garments in the world. Bangladesh has also made major strides to meet the food needs of its increasing population, through increased domestic production. Currently, Bangladesh is the third largest rice producing country in the world. The land is devoted mainly to rice and jute cultivation, although wheat production has increased in recent years; the country is largely self-sufficient in rice production. Nonetheless, an estimated 10% to 15% of the population faces serious nutritional risk. Bangladesh's predominantly agricultural economy depends heavily on an erratic monsoonal cycle, with periodic flooding and drought. Although improving, infrastructure to support transportation, communications, and power supply is poorly developed. The country has large reserves of natural gas and limited reserves of coal and oil. While Bangladesh's industrial base is weak, unskilled labor is inexpensive and plentiful.
Since independence in 1971, Bangladesh has received more than $30 billion in grant aid and loan commitments from foreign donors, about $15 billion of which has been disbursed. Major donors include the World Bank, the Asian Development Bank, the UN Development Program, the United States, Japan, Saudi Arabia, and West European countries. Bangladesh has historically run a large trade deficit, financed largely through aid receipts and remittances from workers overseas. Foreign reserves dropped markedly in 1995 and 1996 but have now stabilized in the $1.5-$1.8 billion range (or about 2.2-2.5 monthly import cover).
Since independence in 1971, Bangladesh has received more than $30 billion in grant aid and loan commitments from foreign donors, about $15 billion of which has been disbursed. Major donors include the World Bank, the Asian Development Bank, the UN Development Program, the United States, Japan, Saudi Arabia, and West European countries. Bangladesh has historically run a large trade deficit, financed largely through aid receipts and remittances from workers overseas. Foreign reserves dropped markedly in 1995 and 1996 but have now stabilized in the $1.5-$1.8 billion range (or about 2.2-2.5 monthly import cover).
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